20th-century "Modern Masters" are artists who synthesised European modernism in the 1940s-1980s, merging Western styles (e.g. Cubism, Expressionism) with local motifs and anti-colonial themes (e.g. India's Bombay Progressive Artists' Group, Iraq's Baghdad Modern Art Group, Senegal's École de Dakar). They now dominate national canons, state collections, and major auction markets.
Indigenous and vernacular artistic traditions are communal, regional, and customary art forms (e.g., indigenous textiles, carving) traditionally practiced outside metropolitan academies and historically marginalised as "craft" or "ethnographic artifacts".
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